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MetroJazz Records
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββ
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MetroJazz Records war ein Ende der 1950er-Jahre bestehendes amerikanisches Jazzlabel.
MetroJazz Records wurde Ende der 1950er-Jahre von Leonard Feather als Sublabel von MGM Records gegrΓΌndet.cite-ref-1[1] Circa fΓΌnfzehn Langspielplatten wurden auf dem kurzlebigen Label verΓΆffentlicht, darunter Aufnahmen von Toshiko Akiyoshi, Sonny Rollins, Thad Jones, Pepper Adams/Jimmy Knepper, Gigi Gryce, Red Callender, Sam βThe Manβ Taylor, Helen Merrill, Teddy Edwards, Red Mitchell/Blue Mitchell, Melba Liston und Pete Jolly, auΓerdem Livemitschnitte vom Newport Jazz Festival 1958 (New Faces at Newport, mit Randy Weston und Lem Winchester). Einige dieser LPs wurden in den 1960er-Jahren von Verve Records nach der Γbernahme von MGM Records wiederverΓΆffentlicht.cite-ref-2[2]cite-ref-3[3]
Contents
β’ Weblinks
β’ Einzelnachweise
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββ
Weblinks
β’ Diskographie bei Jazzdiscography.com
Einzelnachweise